Month: September 2017

Ray Bradbury's The Golden Apples of the Sun

Old Stories, New Thoughts

After various distractions, I’ve finally resumed an exercise program I started early in the year. It’s a strength-building regimen by physical therapist Ming Chew, author of The Permanent Pain Cure.  There are two sets of three different exercises, some involving weights. Between sets of “reps,” one is required to rest for ninety or forty-five seconds. It’s amazing how long these rest periods feel if I just sit there, so I grabbed a book to read from the huge and random accumulation of old paperbacks that lives in our basement.

The Golden Apples of the Sun is a collection of stories by Ray Bradbury originally published in the 1940s and ’50s. The scribbled “50” (meaning 50 cents) on the cover indicates my copy was a used bookstore find — probably 30 years ago.  Between exercises, I sit down and read a page or so, and I must admit sometimes the rests are extended a bit if the narrative is too captivating to interrupt.

I was surprised how applicable some of these stories are to present-day concerns. “The Murderer” is about one man’s way of dealing with intrusive communication technology. “The Big Black and White Game” is a charming yet disturbing look at race relations in America through the eyes of a child at a baseball game. “I See You Never” is about a Mexican man in Los Angeles facing deportation. And “Embroidery” tells how three women spend the last hours before a nuclear explosion. Bradbury’s writing is fresh and delightful. I recommend tracking down this book, The Golden Apples of the Sun, or at least the stories I’ve mentioned.

A while ago, I bought The Cthulhu Mythos Ebook Bundle from Dark Regions Press. (I think it’s still on sale for $15 US — a deal at that price). Two of the books in this tentacled treasure chest are compilations of weird fiction that impressed and influenced H.P. Lovecraft, the master of the weird tale. They are edited and introduced by Lovecraft scholar and aficionado S.T. Joshi. The authors include M.R. James, Ambrose Bierce, Robert W. Chambers and Algernon Blackwood, plus a few until now unknown to me, such as Fitz-James O’Brien, Ralph Adams Cram, and A. Merritt. Merritt’s story, “The Moon Pool,” contains a reference to an ancient being called Chau-te-leur. Sounds a bit like “Cthulhu,” doesn’t it? Another story, “Ooze,” by Anthony M. Rud, contains a creature that may well be the ur-Shoggoth. And the main character of Blackwood’s “Ancient Sorceries” reminded me of HPL himself.

Cthulhu Mythos Ebook Bundle

All these stories have been around for a while, and many of them show their age, a few in rather unflattering ways, but Lovecraft fans will appreciate most of them, as well as the other offerings in the ebook bundle. I know I’m looking forward to working my way through them.

 

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dry leaves, drought

Coming to Terms…

This hot, dry summer — and the likelihood of even hotter, drier ones as the climate warms — has forced me to come to terms with the realities of gardening in this place: four big Norway maples on or near my 6,000 square feet; only six millimeters (about 1/4 inch) of rain from mid-June to mid-September; thin, sandy soil into which compost is instantly absorbed.

I’ve lost my inclination to struggle against these facts.

The essence of gardening is creating artificial environments — making plants grow in places they would never exist under natural conditions; tinkering with plants to change their natures; assembling plants into unlikely combinations for aesthetic purposes. That takes cleverness, imagination and energy. Doing what it takes to keep a garden going is the whole point of gardening. A garden is a place in which to dig, plant, weed, prune, edge, trim, water. And, for a few minutes every now and then — admire the results. That’s the payoff (and, of course, edibles in the case of food gardens).

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The trouble for me is that the combination of shade and dry, root-filled soil has made gardening here more of a slog than a pleasure. Those withered August leaves in the featured image perfectly represent the situation.

An obvious solution is to have all or most of the trees removed, but that’s a huge, expensive and disruptive undertaking. Moreover, the trees are inhabited by a myriad of life forms — bugs, birds, squirrels and others. And mature trees take up more carbon than young trees, so cutting them down — even non-native, “junk” trees like Norway maples — isn’t a good thing to do, simply for the rather frivolous reason of growing better perennials.

Another obvious solution is to give up. But I can’t even articulate what that would mean in practical terms, so it’s no solution at all.

No. The only solution is to work with what I have, adjusting my expectations accordingly (sort of like self-publishing, actually). I’ve already identified the plants that tolerate the conditions here. Any that can’t cope have either vanished from the scene or, in the case of must-haves, been moved into pots. Delphiniums, blue poppies and a couple of hostas grow here in pots (or barrels) or not at all. That’s the way it is.

October 2016

Potted Hostas near pond.

Another approach would be to dig up roots, pile on fertilizer and pour on water to counteract the natural tough conditions. But digging in rooty ground is a miserable business, and I already pay enough for water. Besides, the trees would love extra water and fertilizer.

I must accept the conditions as they are and use techniques that work within them to achieve results that meet realistic expectations.

In thirty-five years of gardening, I have learned how to arrange plants in beds and borders, and how to make those beds and borders look good, no matter what they contain. I could make a garden out of utter weeds if I had to — spurge laurel, thistles, dock, brambles and bindweed. “Weed” is only a label.

Some of the plants that do well here, that actually prosper despite the shade and the poor, dry, root-infested soil, are what I consider near-weeds. The two champs are campion (Lychnis coronaria or Silene coronaria) and toadflax (Linaria purpurea). Having worked with them for a couple of decades now, I know how to manage them. Left to themselves, they get seedy and show their inner weediness by midsummer, but deadheaded and cut back at the right times, they are long bloomers that maintain colour in beds that are otherwise a mass of blah by late July.

June 2010 019

Campion

In fact, I’m envisioning a set of posts for next year that will feature these plants and how to grow them well. With pictures showing the different growth stages and effects of deadheading/cutting back.

I recently read something that suggests true gardeners have an insatiable appetite for new plants. They pore over catalogues and nursery websites seeking the latest varieties. Well, I consider myself as much a gardener as anyone, but I don’t buy many plants. Many just can’t take the conditions here, especially since most nursery plants are grown in super-fertile, moisture-retentive growing mediums (or is it “media?”) that are the horticultural equivalent of steroids. Transplanted into my ground, even into spots prepared with hearty digging and added compost, many new specimens either cling to their original clump of super-dirt and slowly dwindle, or go into shock and don’t bother dwindling but die immediately. Any plant I buy now is one I have researched thoroughly and can reasonably expect to do well here. One piece of advice I’ve heard is to wash off the growing medium nursery plants arrive with and plunge them right into the dirt that will be their new home (after reasonable preparation, of course). They have to adapt or die, and if chosen wisely, they will prosper.

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Oriental Hellebore (in March)

 

Another fact I have to live with is that this is a spring garden, not a summer one. From March through May the soil retains moisture from the winter and early spring rains, but from June to late September, water comes from a hose or not at all. Late-blooming herbaceous plants (asters, dahlias, colchicums, autumn crocus) are fairly reliable, but shrubs and trees are not. I once lusted after Franklinia alatamaha, a small tree that produces white camellia-like flowers just as its foliage begins to turn red and orange. I wasn’t able to obtain one, which is just as well, as it’s native to the southeast U.S., where summer rain is not unknown, and it’s generally reputed to be hard to grow. In autumn and winter, my trees may be appreciated as colours and shapes, but forget about fall bloomers here.

Norway Maples

The Norway maples. Imagine the roots!

What about native plants? I planted Oregon grape (Mahonia aquifolium) and snowberry (Symphoricarpos albus). They do well — too well, in fact. I’m always digging out their suckers. I also have some native ferns, camas, barrenwort or inside-out flower (Vancouveria hexandra), and a patch of salal (Gaultheria shallon). But this was disturbed ground long before I arrived on the scene, so making a garden of native plants alone wasn’t practical. Those Norway maples, remember? And anyway, our native landscape in late August is pretty brown and uninspiring. In spring it’s a different story, of course. So on my patch, natives and aliens have to rub along together.

Today I moved some colchicums to spots where they’ll show up better and add zing to the late summer scene.

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Colchicums, called “autumn crocus” by some, but they’re not crocuses at all.

Asters are starting to bloom.

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Aster frikartii “Monch”

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“Pink Cloud” and “Monch” asters with fading peony foliage and a few Rose Campion flowers.

October 2016

Those asters again.

As long as I can find a thrill in scenes like this as the seasons go by, I’ll keep gardening.

knitting, yarn, lavender purple

Unpicking and Re-Knitting

At a recent meeting of my critique group, it was brought to my attention that something should happen at an earlier point in the narrative. I sort of knew that already, so didn’t need to go through all five Stages of Receiving Critique (denial, argument, brooding, grudging acceptance, rewriting). I jumped right to rewriting. And swearing and hair-tearing.

Rewriting a completed scene, especially one that’s mostly dialogue, is HARD, even when you want to. It’s got that finished look, prettied up, polished and (you thought) perfect. And even when you have to admit it isn’t perfect, taking it apart and remaking it is a painful process.

In this scene, the characters do things and say things. There’s an internal logic to the sequence of actions. The last words spoken by one character cue the first words of the other. Yanking globs of text from one spot and moving them to another requires a rebuild of the receiving area to rejig that internal logic.

After a couple of minor fits, I decided a logical approach was needed.

First, I identified all the bits of text to be moved and highlighted them in different colours. Topic #1 (turquoise) had to be dealt with before getting into Topic #2 (green). Stuff I didn’t know what to do with was yellow. Directions to self were in upper case purple text.

Well, at least it was colourful. (And so was some of my language).

Once I identified the relevant pieces of text, I had to decide where to move them. Then I adjusted those areas so the incoming text would flow seamlessly into what was already there.

Then I started CTRL-Xing and CTRL-Ving. Some sentences changed colour several times and moved enough times to earn frequent flier points before settling into their final spots. My head started to spin and ache, and certain short words spiced up my internal dialogue.

“No, you can’t put that there! She doesn’t know that yet!”

“He can’t start talking about that until she’s asked him about it!”

“That doesn’t make any !@#$ sense!”

AAARGH!

A number of metaphors sprang to mind — taking apart a piece of woodwork held together with dovetail joints and moving the pieces around, or unravelling parts of a sweater, re-knitting them with a different pattern, and ending up with something that’s still a sweater.

In the end, of course, my efforts were worthwhile. The scene works better, and a reader won’t have any idea of the strain and pain that went into its creation.

rubiks cube

Which is how it should be.

Now back to reading about the geology of the Valley of the Kings, and whether the sediments include concretions.

They do! Another plot point nailed down! Progress!

Images courtesy of Pixabay.