The book as product: specific word count, story arc, number and types of characters, type of ending, and a cover suited to the genre. It may help its author make a living. Or it may not.
The book as work of art: whatever gives the writer the feeling of having a hand on the lever of creation. It may or may not become a “classic.” A posthumous one.
This is what happens when I’ve been reading too many “how to do it right” posts for writers. (Snarky aside: Judging by the vast amounts of advice we need, we writers are self-indulgent, impractical airheads, fumbling our way through the real world.)
The author of a recent such post expressed acute distress (“I almost cried!”) when a writer admitted they didn’t know the target audience for their book.
OK, all you writers hiding behind your computer screens, is this you? You don’t write your novels for a defined demographic? Well, I suppose YA authors do, but what about the rest of us? I certainly don’t. I feel a ghostly reader peering over my shoulder as I write, but I don’t know anything about them except they’re reading my book and I owe them a good experience.
I write from a need to embody in written language the stories churning in my brain. That’s what makes me sit down and crank out the words, not a market survey that indicates a taste for a specific type of novel in a particular slice of the population.
“What if they find out that … ?” and “Let me tell you how it happened. There was this thing–” These are the sources of story. Not market studies.
Many indie authors see their writing and publishing as a business. Authors with contracts to traditional publishers are nudged to deliver the correct book-shaped products with cover images accurately labelling their genres. Products must be packaged to match customer needs and expectations. That’s totally fine and logical.
Trouble is, not every writer thinks of the books they write as “products,” even if they publish them using the same platforms as do businesslike, marketing-oriented indies. Today, publishing takes many forms.
As they prepare to publish, writers may find it helpful to examine their intentions and expectations. In private, in secret if necessary. Do you want to sell a million copies? Be #1 on some list? Connect with a few readers, a secret society of people like you? Achieve perfection? Become famous? Just be able to call yourself a “published author”? Produce a printed book you can hold in your hands and post pictures of on social media? Every writer fits into one of these categories, or the infinity of spaces between them.
As in other areas of life, it helps to know what you want and act accordingly, with your expectations set to “realistic.” Then you can read and absorb only the advice that’s relevant to you, and cheerfully ignore the rest.
Despite all the expert advice, there are many indies who don’t conform, whose books straddle genres, or mix them up, or don’t belong to any genre at all. What about all those off-beat or zany cover images? (Airheads, right?) From experience I can say those books aren’t all terrible and worthless. Some are excellent, but prospective readers have to be adventurous and take a chance. Think farmers’ market or craft fair, not big box store. Spend a dollar or three and maybe discover a new and wonderful reading experience.