The novels I write begin with notes. Well actually they begin with ideas, visions of characters, scraps of plot, and imagined scenes. All these early elements are recorded in a notebook, along with random thoughts that might be relevant. Some notes are written on scraps of paper that happen to be handy when an idea strikes. With luck, I manage to copy them into the Official Notebook, or at least keep track of them. This stage lasts for months, or even years.
Eventually, I start writing the first draft. On paper, with a pen. Right now, I’m still writing a page a day, sometimes more if I’m lucky. As the plot has developed, in an amoeba-like way, I’ve resorted to another set of notes that are sort of like, but not quite, an outline. Character sketches and motivations, rough timelines, problems to be resolved, things I know that the characters do not, and yes, actual outlines of the next section to be written. These notes are on a separate group of 8 1/2 x 11 (A4) sheets of paper.
Then there are the in-manuscript notes. Things like [CHECK THIS!] or [EXPAND IN REWRITE], or alerts to areas of weakness [CRAP ALARM GOING OFF!!!] or [WOULD SHE REALLY THINK THIS???]. And often, when I finish a writing session, I scribble a tiny outline for the next day at the very bottom of the page.
So I guess this proves I’m not really the pantser I thought I was. More like a “plantser,” I guess.
Some things to keep in mind about notes.
- They’re useless unless read over as the work progresses. There’s nothing like rediscovering a good idea after publishing
- Notes on scraps of paper should be transcribed into a notebook. The lost idea is always the best one
- There should be only one notebook per novel, but a single notebook may be used for more than one novel
- Dating the notes is helpful for cross-referencing (e.g., “See list of names in notebook, Nov. 21/20”)
- Manuscript pages and pages of notes should always be numbered, and indicate the title of the work (even if provisional) at the top
A novel with multiple characters is a complex creation. Notes are helpful at every stage, from concept and basic plot to rewrites. Also, in working out plot problems and bringing characters to life.
But even more, some notes represent a debate between the Imaginer and the Editor. The Imaginer is the part of my brain that’s laying down the text of the first draft. The Editor’s role comes later, in rewrites and editing. But of course, the Editor is around all the time. Every now and then it plants a flag in spots where it anticipates extra attention will be needed. That’s where those “crap alarm” notes come from. And even some quite rude remarks.
Fellow writers, do you make use of notes to help you write? Do you have any note-related tips to share?