The final chapters of my WIP involve rope. Rope is useful. My characters use it to get themselves into and out of trouble.
I have had to visualize the operations involving rope in detail, because there are certain realities about it. To wit:
- a person has to be able-bodied to climb up or down a rope
- if someone is going to climb up or down a rope, said rope must be solidly fastened to something
- after descending via a rope so fastened, there is no way to untie it from beneath and remove it
- a rope left in place can be used by someone else, including enemies/pursuers
In my longhand first draft manuscript, there is much evidence of agonizing about ropes. First a rope ladder just happens to be lying around. Hurray! Ah, but there’s a note in the manuscript that says “NO ROPE LADDER. TOO EASY.” Replace rope ladder with a basic rope. First it needs to be there, then it has to leave the scene. Where does it go? (Remember: PLOT MUST BE LOGICAL.) A few paragraphs later, the rope is back (“Yay!” say the characters), but I see another added note: “NO ROPE YET.” Fine. The rope keeps sneaking in, and the Editorial Voice keeps sticking in directions to remove it, so as not to give the characters a break.
Meanwhile, the person pounding the keyboard (that would be me) is having fits.
I have to say, this is one of the most tedious aspects of writing–working out practical details in a way that’s realistic but not too easy for the characters. For one thing, tiresome details are a pain. For another, my natural tendency is to figure out the simplest, easiest, and most efficient way for the characters to get something done, not the most torturous, error-prone, and frustrating way. But readers of fiction prefer the latter, so the writer first has to imagine the right way to do something, and then a number of wrong ways. And the plot must be logical.
Just for the record, I have never climbed up or down a rope, but I have certainly become tangled up in a fictional one.
I have now finished keying in that longhand ms. I’ve sorted the rope. Now the rewrite begins!
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