And HERE, another video chat, this time on the benefits and pitfalls of reviewing and being reviewed by other authors.
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Here is an interesting post by Berthold Gambrel, of special interest to the community of indie authors.
Your writer friends are also your competition.
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One of the good things about self-publishing in ebook form with Amazon KDP is you can correct typos and other errors easily. Make the changes in your base document, upload it to KDP, press Publish and you’re done, right?
Yes and no.
Readers who buy your book after you publish the corrected version will get that version. But what about everyone who pre-ordered it or bought it before you discovered those pesky typos? You’ve assumed the corrected version will be automatically delivered to their reading devices, right?
One of the authors whose blog I follow recently published an updated and corrected version of an ebook. Being aware of this, I was eager to reread the book in its new form. When I checked my Kindle library (note: I don’t own a Kindle reader; I read Kindle books on a tablet using the Kindle app), I found only the original version of the book.
I thought, Okay, I’ll just buy a copy of the improved edition. No luck–Amazon told me I already own the book. So I went to “Manage Your Content and Devices,” where I found all the Kindle books I’ve ever bought. One of them–just one!–had “Update Available” below the title. The others did not, including the title I wanted to update. Yes, I have Automatic Book Update turned On in my Amazon account. And yes, I tried clicking Select next to the title and then clicking on Deliver at the top of the page, then designating the device I wanted the book delivered to. No soap; I’m guessing that because the ASIN is the same, I’m stuck with the original version.
This was confirmed by further digging in KDP’s Help pages, where I found one called Send Updated eBook Content to Customers. This page specifies exactly what an author has to do to enable an automatic update to be sent to people who have purchased the book.
You have to contact Amazon. The errors have to be “serious.” “You need to provide us detailed examples of your improvements regarding the quality errors.” And “You need to send us the ASIN, detailed examples of the corrections you made, and the Kindle location number. Location numbers are the digital equivalent of physical page numbers and provide a way to easily reference a place in your reading material regardless of font size.” I’m quoting from the page I linked to in the preceding paragraph.
There is also a list of changes Amazon will NOT accept. One of them is “significant changes that warrant a new edition.” I’m guessing a new edition would be an entirely new book, with a new ASIN. That’s where I gave up.
My takeaway from these investigations is: Make sure your Kindle ebook is perfect before you publish it for the first time. Or be prepared to make a case to Amazon for pushing out your changes to customers. Almost like in the bad old days of offset printing, where making a correction was difficult and expensive.
I would be delighted if anyone can tell me (on good authority) that the above is all wrong. Has anyone been able to download a corrected copy of a Kindle ebook you’ve purchased? And finally, has anyone gone through the steps described above to correct a book you’ve published?
Here’s a chance to experience a different kind of epic fantasy. The latest edition is now available. And there is a new blog specifically for the series; the link is in the post
Yes, all sorted, tidied (as much as any book a writer wants to display in public can be tidied) the finalisation of the processing through the Amazon Kindle System completed 30th January 2021 at 9.35am GMT UK, and thence to sit back remembering to check later on to see when Amazon has made it public so the promotion via free books can be allowed (please, please Amazon co-operate and don’t do something ‘interesting’). Of course try as you might as a humble self-publisher you cannot guarantee that Kindle will (1) Align the word ‘Chapter’ at the centre of every single heading, no matter how hard you slaved over the business on WORD (also not the most dependable instrument for a writer of fiction) (2) Adhere to the same page breaks as WORD for much the same reason. But for the price I am settling either ‘Free’…
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Writers are all about being published, either by traditional means or doing it themselves. But sometimes, authors unpublish a book.
I can think of a few reasons for this decision:
In my opinion, only numbers 2 and 3 are really good reasons to unpublish. Number 1 may be as well, but it depends. Like the decision to publish, the decision to unpublish should be made after careful consideration and asking for opinions from writing partners or trusted readers (“omega readers?”).
And if the only problem is disappointing sales, they certainly aren’t going to improve if the book is no longer on the market because its author unpublished it in a fit of pique. “No one wants you, stupid book! Take that!” (Presses the “unpublish” button.)
I think it’s best to keep books available, unless there are really good reasons to take them down.
Why? Picture this scenario: a reader acquires a book but doesn’t read it for months, or even years. When they do read it, they post a favourable review in the usual places. Five stars and praise! But in the meantime, the author has unpublished the book, so any other potential reader who sees that good review won’t be able to buy the book. Disappointed, they may not bother to seek out other books by that author.
This happened to me not long ago, which is why I’m writing this post.
Poor sales, problems with the selling venue, or unfavourable comparison with one’s other works aren’t good enough reasons to unpublish.
On the other hand, unpublishing may be part of a plan to turn a book into something else. For example, in 2016 I published four short stories as separate ebooks. I wasn’t surprised they didn’t sell, because really, I myself would hesitate to spend a dollar for a 5,000 word story, when that dollar could easily buy a full-length novel or a short story collection. The stories did get snapped up when I offered them for free (but then, almost anything does).
Last year, I unpublished those four ebooks, re-edited the stories, and incorporated them into the collection I’ve since published as Tales from the Annexe. So they are still available, but in an improved form.
An author who intends to unpublish a book because they think it’s embarrassingly bad, or because it contains factual errors, may wish to consider publishing an improved or corrected edition instead.
Fellow indies, have you ever unpublished a book, and for what reason?
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Some writers say their characters come alive during the writing process and even push the story in unexpected directions. But do we owe anything to characters we’ve thought up but whose stories remain unwritten, stuck halfway through Chapter 3? Or languishing in an abandoned notebook?
A while ago, in a discussion among several indie authors, I declared that I had no unfinished works. That’s actually true, although She Who Comes Forth stalled at page 17 for months before I found my way back to completing it. But I do have a complete novel that’s been sitting around unpublished since 2008.
Winter Journeys is literary fiction unrelieved by any genre fiction attributes. Moreover, it grew out of my obsession in the early 2000s with Franz Schubert’s song cycle Winterreise. And said obsession was due in part to my experiences of rejection while trying to get my first few novels traditionally published.
The twenty-four songs that make up Winterreise follow the wanderings of a man who has been rejected by a young woman and her family, and who finally rejects the world. I turned that story arc into a novel about a woman who goes through a similar trajectory in the present time, while she becomes fascinated with a particular recording of Schubert’s music.
I hesitated to publish Winter Journeys myself, first, because literary fiction doesn’t sell unless boosted by the forces of Big Publishing, literary prizes, and being made into movies. And second, because I had an intention to send it around to Canadian publishers. They do publish literary fiction, with the help of arts and culture grants from the federal government.
But since entering the realm of self-publishing, I’ve totally lost the mindset and desire to submit. (I actually hate that word, even.) So this novel continues to lurk in the shadows, although I’ve designed a number of cover images for it. Here are two of them…
2028 will be the 200th anniversary of the publication of Winterreise, and incidentally, of Schubert’s death. I think that would be the right year to publish Winter Journeys.
In the meantime, I’m getting psyched for writing a sequel to She Who Comes Forth, provisionally titled (what else?) She Who Returns. (You read it first here, folks.)
This is the final post in this series. I hope reading about my writing journey has been informative, interesting, or at least diverting. Here’s a link to Part 1 if you want to read it again. Links to all the other parts are there.
Well, fellow writers, do you have any stories languishing in unwritten or unpublished limbo? Do you feel you have an obligation to give them life?
When I published Tales from the Annexe, I had to go back and correct some infuriating mistakes in both the ebook and print versions. The most obvious was forgetting to justify the text for the print version. There I was, admiring the formatted document and thinking formatting had been relatively easy this time, when I realized something. The text was left-aligned (like this post). Unless I justified it, my book would have ragged right margins.
A book with ragged right margins is perfectly okay — except it looks self-published. Some potential readers will reject it for that reason alone, even if the story looks interesting. Unfortunately, self-published book = crap is still a thing.
So I had to justify. And pay attention to other niceties of formatting, even for ebooks. Ebooks don’t need page numbers, headers, or footers, but hard page breaks after the title page and between chapters, or the stories in a collection, are a nice touch. When I first uploaded the ebook document to KDP, it lacked those page breaks. (Now it has them.)
Formatting a Word document so it may be turned into a print book boils down to this: set the margins for your trim size, justify the text, add Section Breaks (odd or even), add Footers (page numbers), add Headers (title, chapter or story title, and/or author). For headers and footers, the crucial thing is Link to Previous. If you want the header/footer to be the same as in the previous section, you leave this alone. If not, you click to turn it off and then make your changes. Look at a traditionally-published book to see which pages need headers or footers.
Always take a good look at your files before you publish. KDP provides online previewers that show exactly how a book (e-version or print) will look. They are definitely worth using. Even so, I overlooked the details I’m talking about here.
Like the print cover image, for example. Only after I uploaded it did I realize that part of the title was ever so slightly off-centre.
At first, I told myself these details didn’t matter; no one but I would notice the ragged right margin, the lack of page breaks, the off-centre title text. But of course some potential readers would notice and might conclude that the contents were probably crap. And those deficiencies would always be the first things I saw when I looked at the book. My book. And because it’s so easy to upload corrected files, I had no excuse not to do it.
So I went around the mulberry bush a few more times — added the page breaks, fixed the cover image, and justified the text, created new PDFs, downloaded and uploaded, and waited the extra days for the book to go “live” again.
Now it’s perfect. Or as close as it needs to be.
Fellow writers and publishers, how much trouble do you take with formatting? Do details like these matter to you?
Final part next time: Unwritten and Unrealized.
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