Reading

Herbert in Italy

Herbert West is about to manifest in an Italian-made web and TV series, and eventually a feature film. Yet another incarnation of this fascinating character, in addition to H.P. Lovecraft’s original, the “Re-Animator” movies directed by Stuart Gordon and featuring Jeffrey Combs, and, of course, the series of novels by one Audrey Driscoll.

Everyone knows and loves the masterful 1985 horror comedy Re-Animator. Directed by Stuart Gordon and produced by Brian Yuzna and Charles Band, the proudly unrated sex and splatter shocker based on the writings of H.P. Lovecraft, won the hearts of horror fans and mainstream critics and put Gordon on the map. And now, 32 years later, an intrepid band of Italians are reviving the source story for a web and TV series.
Read more at http://www.comingsoon.net/horror/news/858595-re-animator-is-now-an-italian-series#8oLxm0Y15ivjPC9i.99

Death… is just the beginning.

Being or Knowing: Characters and Readers

Reading an interesting post recently on the estimable Story Ape’s blog got me thinking about the relationship between fictitious characters and readers — main characters, known in some circles as “protagonists.”

Some characters are primarily vehicles by which a reader may experience the events of a story. The character is a type — an amateur sleuth, a woman seeking romance, a young person on a perilous quest. Their physical characteristics and personalities may be specified, but they’re actually elaborate costumes. Readers climb in and they’re there — solving the mystery, finding romance, or surviving the perils of the quest.

In other works of fiction, characters are equipped with complex personalities and backgrounds. Their needs and conflicts are not immediately evident. The reader must get to know them in order to discern their issues. It’s quite possible readers may not be able to identify with these characters; they may not even like them, but if the author has done the job right, the reader will find the character and his or her situation interesting enough to keep reading the book.

The “wearable” character is generally associated with plot-driven genre fiction; the “get to know” protagonist is more often typical of character-driven literary fiction. Readers have different expectations for these character types; getting acquainted with the character before you know what might happen to them requires some tolerance for uncertainty on the reader’s part. Writers of literary fiction must make their stories sufficiently alluring to keep readers hanging out with their characters.

I’m fairly sure authors don’t decide, as they begin writing a story or novel, which of these types of characters they will create for it. They usually do know whether they’re writing genre fiction or literary fiction. Characters evolve accordingly.

It doesn’t have to be an either/or. Really well-written works feature complex characters and compelling plots. Readers decide unconsciously whether to become a character and ride their rollercoaster, or to observe and ponder the character’s dilemmas.

The four novels of my Herbert West Series have five different narrators — six, actually, because Herbert West is quite a different person from Francis Dexter. Each of these people has his or her own style: Charles Milburn, diffident librarian; Andre Boudreau, amnesiac Acadian; Margaret Bellgarde, widow of the Great War; Herbert West, amoral scientist, who becomes Francis Dexter, wounded healer; Alma Halsey, disaffected journalist. And The Nexus, one of the short story supplements to the series, is narrated by eccentric professor and sometime occultist Professor Augustus Quarrington.

I’m thinking all these different narrators may be somewhat disconcerting for readers who expect more uniformity among books within a series. And I’m sure not all readers have found it easy to slip into these characters and share their lives. Over the course of the series, however, they have a good selection from which to choose.

dolls-1077237__340

Image courtesy of Pixabay

 

The books include elements of different genres and of literary fiction. Some readers may find the fit a little uncomfortable. I am biased, of course, but I can honestly say no one who spends time with my characters will be harmed by the experience, and some may be entertained.

Featured image created with Canva using free pictures from Unsplash and Pixabay.

 

A Noteworthy New Garden Book

 

Garden Flora by Noel Kingsbury.

Next to gardening, reading about gardening is a unique pleasure. But finding truly readable garden books is not always easy. Reference-type books, with how-to-do-it instructions, or descriptions of plants and their preferred growing conditions, may be useful, but are not entertaining to read. These are books I consult standing up, with garden gloves stuffed in my pocket and a project of some sort half-done outside.

Readable garden books are to be savoured in winter, or when it’s too dark to do real gardening. They are written by dirt-under-the-fingernails gardeners who are also good writers. Like the best fiction books, they become reliable friends.

Garden Flora by Noel Kingsbury lives up to its subtitle: “the natural and cultural history of the plants in your garden.” It presents a lot of information in its 368 pages. It is arranged by genus, in alphabetical order, but each section is an essay, covering genetics, evolution, distribution, botanical characteristics, and history in cultivation. This last includes discovery, medicinal and religious uses, breeding, cultivars and fashions. Kingsbury’s informal writing style delivers facts in a congenial, readable manner. It was a revelation to me that the genus name Alchemilla derives from Arabic for “alchemy,” because of the way water droplets cupped in the leaves shine like mercury. Apparently, medieval alchemists believed this water to be especially pure and gathered it for their procedures.

The book’s extensive introduction includes valuable information about plant classification, evolution, ecology, habits and habitats, as well as a history of plant cultivation from ancient and early historical times (dubbed “before glass”) to the modern era (“after glass”). Another surprise for me was how many varieties created by plant breeders have vanished from cultivation over the years, after falling out of fashion, or because growing them became too troublesome or costly. Perhaps we are in a sort of “post glass” era?

Illustrations are drawn largely from botanical art and historical nursery catalogues, which are interesting and/or charming, but the pictures I appreciated most are those of plants in their natural habitats — hostas and daylilies growing wild in Japan, delphiniums in Kyrgyzstan, colchicums in Turkey, lupins in Washington State.

This is a fairly large volume, almost a coffee-table book, and quite heavy. It doesn’t pass the bath-bed-bus-beach test, but the depth and richness of its contents make it a book I will be content to sit down at a table and read, now and for years to come.

Local Author Book Review #13: Deception Bay by Lea Tassie

dec-bay-front-cover-web-thumb

Greater Victoria Public Library (in Victoria, British Columbia) launched its third Emerging Local Authors Collection on May 4th. I have already finished reading a book from it!

Here is the description from the back cover:

To a tourist, the sleepy village of Deception Bay appears to be an idyllic, peaceful retreat, anything but deceptive. But Larry, a bartender in the old, quaint, ivy-covered inn, and Brenda, his realtor buddy, know better. They discover the secrets lurking below the surface, such as who attends the occult meetings and who committed the unreported rape. They can guess who lit the mysterious fire, though there’s no proof, and they discover the motives of the man who is definitely not what he seems to be. And they are not above starting a few rumors of their own to make the local news more interesting!

I picked up this book expecting to read a cozy mystery. Small town, secrets, crimes and rumors — cozy mystery, right? Wrong. Although it shares some elements with that genre, this book is about relationships — between parents and children, spouses and ex-spouses, friends, and people and their community.

The story is told in first person by the two main characters, Larry the bartender and Brenda the realtor, in alternating chapters. Each of them faces a series of problems which they share with one another, usually over drinks. There’s a lot of drinking in this book — endless gin and tonics (with lemon slices) for Brenda, beer, spirits and wine for others. Alcohol, in fact, is a major plot lubricant. The reader may wish to avoid vicarious driving after reading it.

The plot, like life in this village on Vancouver Island’s east coast, progresses at a leisurely pace. Nothing resembling a true crisis appears until the halfway point, but I was happy to wander through the spring and summer days with Larry and Brenda to discover how matters are resolved as autumn begins.

Author Lea Tassie lives in the region in which this book is set, and she knows whereof she speaks.

My rating: 7 out of 10 stars (in my own rating system: 1 = abysmal, 2 = barely readable, 3 = mediocre, 4 = not bad, 5 = OK but not great, 6 = good but unremarkable, 7 = pretty good, 8 = really good, 9 = remarkable, 10 = superlative).

 

Read an E-book Week (2)

Read an Ebook Week continues at Smashwords through Saturday. Here Edeana Malcolm tells Kindle owners how to load Smashwords books. Don’t miss out on all the great books available (including Edeana’s and mine).

My Writing Eden

How to download a Smashwords book to a Kindle reader

Don’t be held captive by Amazon. Sure it’s more convenient to buy e-books direct from Amazon, but this week you can get some really good book deals at Smashwords. For some reason, Amazon won’t take books from Smashwords. They prefer exclusivity, so writers have to publish directly.

Don’t worry. You can still benefit from the Smashwords promotion. As I promised yesterday, here are the instructions on how to download a Smashwords book to your Kindle or Kindle Fire.

First find the book you want at Smashwords at https://www.smashwords.com

How do I download books to my Kindle or Kindle Fire?
You’ll find links to all your purchased books in your Smashwords Library. There are two options for loading Smashwords ebook content to your Kindle or Kindle Fire:

1.  USB Connection.  Plug your Kindle into the USB slot (small rectangular slot)…

View original post 404 more words

Book Rocks

No, not “books rock” (even though they do). This is about stones.

I started reading at meals as a kid. Food and reading seem made for each other — both are at least potentially pleasurable activities, depending on the quality of what is being consumed.

Thing is, it’s hard to read while eating if your book refuses to stay open. (This, incidentally, is one area in which ebooks have an advantage over print). Some sort of weight is required, and pressing tableware into service for the purpose doesn’t work too well. The knife slides off, someone else needs the butter dish, etc.

Rocks, on the other hand, are perfect. And my house is full of them, ranging from small pebbles to large cobbles, due to a habit of picking up attractive rocks on beach walks.

Some rocks are better suited as book weights than others. Flat, rather than curved surfaces, and an elongated shape, are ideal qualities. As to weight, it depends on the springiness of the book, but something from a few ounces to a pound does the job admirably. Of course, you have to be careful; it’s not good to drop a hefty cobble onto a brand new, tightly glued paperback. A carelessly wielded stone may break the spine of a valued book.

Here are three reliable rocks I have used for years to keep books open.

img_2282

The topmost one is the heaviest. Placed with care, it gently subdues any book that wants to snap shut when left unattended. The post header shows it in action, making my copy of The Egyptian Book of the Dead (a thick book with a tight spine) a little more readable. I found it by the South Saskatchewan River, near the town of Borden, in the 1980s. The middle one must have come from some beach here on Vancouver Island. Its shape was what made me pick it up; it’s less than half an inch (about 1 cm) thick, and an inch wide. It’s perfect for books that lazily flip up an unweighted leaf, and looks quite elegant when in use. The bottom one is a piece of greenish stone (possibly serpentine) from Ballenas Island in the Strait of Georgia. (OK, it looks grey in the picture, but trust me, it has a definite green tint, especially when wet. Looking good wet is something beach rocks do really well). I kept this rock on my desk at work, and used it to hold open books I was cataloguing. It’s a bit on the light side, so I’d have to position it in exactly the right spot. Sometimes the page would fight back, and the rock would slip off, requiring recovery and repositioning. Those white marks on the top two stones are eraser residue; rocks are also great eraser cleaners.

To be fair, there is another tool for holding books open — the “book snake,” an elongated cloth bag filled with dried beans or peas or similar stuff, or a weighted leather thing you can buy. I have no experience with either. Book snakes are said to be superior to rocks in that they are softer and shape themselves to the contours of a book, so will not mar pages. But you have to buy them or make them, whereas a suitably shaped stone is instantly ready for use. And it costs nothing.

Book rocks may also be used to crack nuts, or as weapons or missiles, should your dining situation deteriorate to the point that such items are required.