Here is the second chat in response to questions we’ve received. Topics include inserting images into ebooks and print books, writing to the market, developing a niche, and more. Find it all HERE.

Here is the second chat in response to questions we’ve received. Topics include inserting images into ebooks and print books, writing to the market, developing a niche, and more. Find it all HERE.
When I published Tales from the Annexe, I had to go back and correct some infuriating mistakes in both the ebook and print versions. The most obvious was forgetting to justify the text for the print version. There I was, admiring the formatted document and thinking formatting had been relatively easy this time, when I realized something. The text was left-aligned (like this post). Unless I justified it, my book would have ragged right margins.
Aargh!
A book with ragged right margins is perfectly okay — except it looks self-published. Some potential readers will reject it for that reason alone, even if the story looks interesting. Unfortunately, self-published book = crap is still a thing.
So I had to justify. And pay attention to other niceties of formatting, even for ebooks. Ebooks don’t need page numbers, headers, or footers, but hard page breaks after the title page and between chapters, or the stories in a collection, are a nice touch. When I first uploaded the ebook document to KDP, it lacked those page breaks. (Now it has them.)
Formatting a Word document so it may be turned into a print book boils down to this: set the margins for your trim size, justify the text, add Section Breaks (odd or even), add Footers (page numbers), add Headers (title, chapter or story title, and/or author). For headers and footers, the crucial thing is Link to Previous. If you want the header/footer to be the same as in the previous section, you leave this alone. If not, you click to turn it off and then make your changes. Look at a traditionally-published book to see which pages need headers or footers.
Always take a good look at your files before you publish. KDP provides online previewers that show exactly how a book (e-version or print) will look. They are definitely worth using. Even so, I overlooked the details I’m talking about here.
Like the print cover image, for example. Only after I uploaded it did I realize that part of the title was ever so slightly off-centre.
Aargh!
At first, I told myself these details didn’t matter; no one but I would notice the ragged right margin, the lack of page breaks, the off-centre title text. But of course some potential readers would notice and might conclude that the contents were probably crap. And those deficiencies would always be the first things I saw when I looked at the book. My book. And because it’s so easy to upload corrected files, I had no excuse not to do it.
So I went around the mulberry bush a few more times — added the page breaks, fixed the cover image, and justified the text, created new PDFs, downloaded and uploaded, and waited the extra days for the book to go “live” again.
Now it’s perfect. Or as close as it needs to be.
Fellow writers and publishers, how much trouble do you take with formatting? Do details like these matter to you?
Tales from the Annexe is a free download from Friday, November 27th until Saturday, November 28th, (midnight Pacific Standard Time)
AMAZON: US UK CA AU
Final part next time: Unwritten and Unrealized.
Last year I published my first book (The Friendship of Mortals) in print, after more than four years of being available only as an ebook. Even though I used CreateSpace, I didn’t use the supplied Word template, but did my own formatting from scratch. (Truth to tell, I was hazily aware of the template, but ignored it and just charged ahead). After formatting four books for ebook publication through Smashwords, I thought I was a whiz at that stuff.
Ha. There’s a reason for this post’s alliterative title featuring the letter F.
Among other things, I definitely learned the main difference between designing an ebook and a print book. An ebook is supposed to flow, like an electronic scroll, without impediments such as page or section breaks, headers or footers.
A print book, on the other hand, is a physical object made up of pieces of paper. Pieces of paper with two actual sides, some of which are blank. Formatting an electronic document (specifically, a Microsoft Word document) so it will turn into a book with page numbers, headers, footers, recto and verso pages — well, that’s an entirely different matter than getting a document through Smashwords’ fabled “Meatgrinder.”
(A word to those indies who haven’t done the print publication thing yet: if you tore your hair out over getting your book through the Meatgrinder without Autovetter errors, maybe you should get help if you decide to format for print. Or at least use the supplied CreateSpace template).
So now I’ve just finished formatting the next two books in the Herbert West Series: Islands of the Gulf Volume 1, The Journey and Islands of the Gulf Volume Two, The Treasure.
With all my hard-won experience on the first book, I thought it would be a snap. Or at least a near-snap.
I was almost right. While not 100% smooth, it was easier, and I now have a procedure that works. What follows isn’t meant to be a set of how-to-do-it instructions, just a bunch of observations as I emerge, rumpled but triumphant, from the formatting jungle.
The trickiest part by far is getting Section Breaks, Headers, Footers and Page Numbering to work together and look right. Fellow indie author and blogger Michelle Proulx recently wrote a good post about adding Headers, complete with screen shots of the current version of Word.
It helps a lot to start with a clean Word document. I used the ones I had created for ebook publication, reasoning that it’s easier to add breaks, headers and footers to a document that lacks them, than to wrestle with the quirks of existing ones.
It also helps to have an actual, properly-designed printed book to refer to as you go along, so you can see which pages need page numbers, headers, etc. That makes a huge difference when it comes to the professional look.
The first thing I did was make sure my documents were in tip-top shape. That meant fixing a bunch of small errors I had noted in a recent re-reading of the whole series. The “handwriting” feature in my ebook reader is great for noting these mistakes. I went through the notes it generated and made the corrections — mostly deleting the word “that.” Bonus: I can upload the corrected ebook versions, thus improving the ebooks and ensuring identical texts in ebook and print.
Then I made copies of the ebook documents and proceed to turn them into a print-ready ones. There are several steps to this process:
An absolutely crucial detail with headers and footers is understanding “Same as previous” (in older versions of Word; in the current version it’s “Link to previous”). Every time you enter Header or Footer information for a specific Section, you have to figure out if it should be the same as in the preceding Section. Once you get this right, victory is near. See Michelle’s post (link above) for a clear explanation.
Something that drove me crazy was inexplicable inconsistencies between documents I thought were set up identically, and (even worse) things that didn’t work the same way in the same situation within a document. Word gremlins at work, obviously. Short words starting with F and S were uttered frequently until these issues were resolved, usually by studious comparison with other documents, trying different settings, or desperate searches of the Internet (which often yield helpful results).
Remember, if things look really hopeless, you can just scrap that document and start again with a new copy.
And where is the fun in all this, you ask? Well, once you figure out all that tedious stuff about section breaks, headers and page numbers, and get it all working, it is fun, or at least satisfying, to see real book-like features appearing as a result of your handiwork. Selecting fonts, adding little glyphs and other decorative elements (sparingly, I would advise) — can be fun. Then you upload your document to CreateSpace and use the interior checker, which shows you exactly what it will look like in print. Once you’re happy with that, and have assembled the package (cover, interior, metadata), you can order a proof copy for a final check. It’s a thrill finally to flip through real pages and see the results of your efforts — first writing the thing, then embodying it in an ink-on-paper artifact.
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