I don’t know if anyone has noticed this, but many of my garden photos include parts of green hoses or white chairs. Like the chairs in the featured image. They’re cheap plastic items we bought 30 years ago. Since then, one has perished, but I inherited another, fancier one from my mom.
Chairs are useful in the garden, for setting down things like tools, watering cans, and balls of string. There’s less chance of those items getting lost if they’re on a chair. And occasionally, the gardener sits on one to rest for a few minutes, until the sight of a weed or leaning plant demands action.
The chairs, although cheap, are adequate for the purposes described. But they become a problem when I take photos of the garden. Not in close-ups of individual plants, but in shots of larger areas, there is often the suspicion of an incongruous white object, which turns out to be a chair leg. White is an uncompromising colour that jumps out from surrounding shades. It contrasts splendidly with green.
Then there are the hoses. Two of them connect rain barrels to the pond, so overflow rainwater can help to top it up, rather than soaking into the ground near the barrels. The hoses run alongside two paths, and want to be in as many pictures as possible.

Hoses used to be uniformly this shade of green that is rare or nonexistent in nature. I guess the idea was they would blend in among the greens of the garden. They don’t. Recently, hose makers seem to have realized that and now colour their products so as to be visible. Lime green, blue, turquoise, and even purple hoses are available. Maybe too many of the green ones were blamed for causing people to trip, or were mangled by lawnmowers whose operators failed to see them.
Some of you may be wondering why I don’t crop out the chair legs from the photos, or fiddle with filters to disguise the hoses. The truth is, I’m too lazy to bother, and even if a hose’s colour were modified, the shape is pretty uncompromising. My garden photo sessions are unplanned. I see something beautiful or interesting and run inside to grab the camera. If I see a piece of chair anatomy edging into the scene, or a hose intruding itself, I reposition myself so as to eliminate the offending item from the field of view. But that isn’t always possible. Later, when I’m reviewing photos for use in blog posts, I avoid the ones with the worst intrusions.
