Yes, here’s yet another book review. I decided to pack December with reviews of indie authors’ books I’ve read recently.
The New Sword is the sequel to The New Fire, which I reviewed here a couple of years ago. The two main characters, Sakela and Francisco, are now married, but their happiness is imperfect.
“The reserved soldier does not enter into family life the way Sakela wishes he would. When he swears allegiance to a corrupt viceroy, she suspects he has abandoned the values she cherishes. Then rebellion threatens to tear apart their marriage and their community. In spite of his love for Sakela, Francisco feels isolated from her. He sees a way through the coming conflict, but only at the cost of his honor and possibly his life.” (Quoted from the back cover)
Although the narration is in third person, the point of view alternates between Sakela and Francisco, so the reader knows what both of them are thinking. Scenes with both characters present are relatively rare, emphasizing the central issue of the novel, which is the disconnect between them. For the most part, each follows a path determined by circumstances and personal principles, unable or unwilling to explain their choices to the other.
To a certain extent, this works, especially when Francisco’s way of dealing with a number of unpleasant choices becomes evident. As his strategy plays out, the man himself is taken in a surprising direction that results in a fundamental change. In the meantime, Sakela is left in the dark, dealing with conflict and danger while she fears her marriage is falling apart. A swashbuckling sea captain enters the picture as a not altogether unwelcome, but disturbing, diversion.
This book, like the first one, The New Fire, does not fit neatly into any genre category. It’s not really a romance, although the relationship between Sakela and Francisco is one of its primary elements. It’s not historical, because the setting and peoples are entirely fictitious, although based on the Spanish and native peoples in California and Mexico. It’s not a fantasy, because there is no magic or supernatural elements.
Moreover, the author’s intent to show different approaches toward government and social organization is quite close to the surface of the narrative, giving the story a gravitas quite removed from escapist fiction. Some readers may find this disconcerting. To me, the characters and their conflicts were realistic enough that I was eager to find out how things turned out for them. This carried me through to the end, which is both satisfying and thought-provoking.
My rating: 8 out of 10 stars.
Find out more about author Ada Robinson, along with background information and where to buy her books here.