poem

Blue Siberian irises

Six Harsh Truths About Gardening

Another gardening year is drawing to an end. It’s time to evaluate and plan for Next Year (which is always the best year). But right now, the gardener is tired—of lugging watering cans, digging holes, and sawing roots while in a bent-over position. Some plants are overgrown, others are moribund. The gardener is oppressed by all the things that must be done—but not right now, because it’s not the right season.

In this rather glum mood, the gardener ponders some harsh truths.

Harsh Truth Number One. Gardening is not a hobby you can put aside when you get tired of it, or something more exciting comes along. Not in a place where constant attention must be paid to watering. Then there’s weeding, staking, tying, and deadheading. And let’s not forget pruning. Forget about those summer camping trips, unless you’re prepared to deal with a mess when you return.

Harsh Truth Number Two. Unless you confine yourself to growing vegetables, annuals, and herbaceous ornamentals, you will have to learn to prune “woody subjects,” such as shrubs and even trees. And then you’ll actually have to do it. Pruning often means cutting off healthy growth that looks like the best part of the plant, trusting that it will have a beneficial effect in the end. That’s hard to do. And after a pruning session, you have to dispose of all the lovely stuff you’ve cut off.

Harsh Truth Number Three. Plants are going to die, despite your best efforts. The new, exciting perennial that’s being touted by all the experts. The marginally hardy shrub you fuss over and cosset, telling yourself that maybe it’s actually grown a bit this year. And sometimes an old reliable blooms better than it ever has, and then suddenly wilts, never to rise again.

Harsh Truth Number Four. Your garden will never look anything like your vision of it at the planning stage, or like those swoon-worthy photos in horticultural magazines. (Remember, though, that those photos capture moments, not seasons.) And no matter how well a plant does in your garden, you will inevitably see it looking better in someone else’s.

Harsh Truth Number Five. You are responsible for your garden, but you’re not really in control of it. Weather—rain (or lack of it), sun, wind, frost—has the last word. Along with fungi, bugs, raccoons, the roots of nearby trees, and the inner workings of plants themselves. The gardener isn’t the supreme commander, but rather a combination of servant, coach, first aid attendant, cleanup crew, and undertaker.

Harsh Truth Number Six. No matter how much hope, love, and sweat you expend on your garden, there’s no guarantee that it will persist beyond your tenure. Once the gardener has shuffled off to the retirement home or downsized to a condo, the garden will change, or even disappear, along with the house, the trees, and the pavements, to be replaced by some architectural monstrosity and instant landscaping. I’ve seen this happen too often where I live. But then, the present house and garden replaced farmland, which in turn replaced wildlife habitat or land inhabited and harvested by indigenous people.

Harsh truths can be overwhelming. After reading the above, one may ask, “So why garden, if it’s so harsh?”

Every gardener will have their own answer. The satisfaction of growing food. A certain amount of exercise. Being outside and forming a relationship with the natural world. I can relate to all of these, but for me the reward comes when I go out into the garden and experience a moment when colours, textures, the relationship of light with the plants, the smells of flowers and earth and living things combine in a form of perfection. These episodes are brief and cannot be commanded, but they outweigh all the harsh truths. It’s as though my acceptance of them, and doing the necessary work, makes a kind of magic.

Benign light
Gilds the very air,
Makes dust motes into small blessings,
Deepens the hues of leaf and flower.
The gardener stands bemused
At the gateway between day and night,
Clutching secateurs and a handful of spent flowers.
Caught in stillness,
Gazing,
As white flowers become little stars,
And the light fades to blue.
Pond bench, hostas, with Athyrium niponicum var. pictum (Japanese painted fern) in foreground
Back garden perennial beds in June, with Verbascum chaixii, Delphinium, Asiatic lilies, and white campion (Lychnis coronaria "Alba") in bloom
Japanese painted fern (Athyrium niponicum var. Pictum) and pond
Sunset seen from Pettinger Point, Nov. 27, 2019.

The Tree and the Stone, the Land and the Sky

Tree

Where is she?
Who stood beneath my greening boughs
With bluebells at her feet
Where has she gone?

Stone

Where is she?
Who embraced me
And sought within
For my stories and my songs
Where has she gone?

Land

Fear not, I hold her safe
Her substance cradled on my breast.
The hills are clothed in purple heather,
Bright streams bejewel them.
She is home.

Sky

Fear not,
Her spirit has returned to Light.
Star Bright, she shines
Forever in the hearts of those who knew her.

In memory of
Sue Vincent
1958-2021

Solstice and Christmas

Here is a poem from a few years ago. It’s not really jolly-holly, but I think the featured image above makes up for that.

 

The Gardener In Winter Night

Cold rain drips from branch and twig,

Winter jasmine, Jasminum nudiflorum

Sullen,

Slow

From edge of roof.

Yellow jasmine lights went dim at dusk,

The garden cloaked in absence and night.

The sky flattens,

The soil accepts.

Ailanthus

The eye sees black.

Pond water steeping leaves,

Tree shapes flat against grey sky.

The gardener in negative space,

Opposite of summer’s exaltation,

Contemplates…

Snowdrops soon to raise their elfin spears,

Violets wet and secret within dark green,

012

Crocus and tulip bulbed in earth,

Honeysuckle buds held tight by leaf to stem,

Blue poppies crowned in tattered leaves,

Rose canes studded with ruby nubbles,

Moss velvet green between reposing stones.

Remember snow,

And hope.

Consider sleet,

Believe.

Return to rest.

cosmos

Image from Pixabay

A Different Kind of Story

I have recently discovered a radio documentary that first appeared as a podcast by the CBC (Canada’s national broadcaster). It’s called Someone Knows Something, and describes a revisiting by independent filmmaker David Ridgen of the disappearance of five-year-old Adrien McNaughton in 1972. The boy vanished on a June day while on a fishing trip with his family at a small lake in eastern Ontario. Forty-three years later, Ridgen contacts the family, examines the search procedures and interviews people who were associated with the family and/or the search.

Each half-hour episode concentrates on various aspects of the case: the family’s memories, the theories around the disappearance (drowning, animal attack, kidnapping), consultations with psychics, artistic renderings of what Adrien might look like as an adult, searching the scene with cadaver-detecting dogs, and re-diving the lake.

Unsolved cases of vanished children are compelling and heart-wrenching. Ridgen’s take on the case of Adrien McNaughton unfolds slowly and methodically, revisiting and lingering on the scene at Holmes Lake, discussing the details with those who had participated in the extensive search, probing their memories for clue fragments.

All eleven episodes of Someone Knows Something are available on the CBC website. A bonus is the theme music created for the series by Bob Wiseman, and performed by the composer with vocalist Mary Margaret O’Hara. It’s wistful, heartbreaking, and a little weird — perfect for the subject matter of the series.

Listening to (so far) seven of the eleven episodes, I have been thinking how a story like this could inspire others — writers, poets, artists — to create new works. All art is rooted in some sort of lived experience, transforming it into something unique that adds to the shared entirety.

Missing

You did not say goodbye,

No door closed behind you.

You did not look back and wave

Before the world took you away.

The eye of the lake gazes at the sky,

The trees point upward and sway

As the wind shakes their limbs.

Snow falls, snow melts.

The small birds return.

Does the earth keep you close now,

In a deep embrace?

Or do you walk the days somewhere,

Wearing your own face, and a different name?

We do not know.

We do not forget.

November 9, 2013

Winter Solstice

The Gardener In Winter Night.

Cold rain drips from branch and twig,

Sullen,

Slow

From edge of roof.

Yellow jasmine lights went dim at dusk,

The garden cloaked in absence and night.

The sky flattens,

The soil accepts.

The eye sees black.

Pond water steeping leaves,

Tree shapes flat against grey sky.

The gardener in negative space,

Opposite of summer’s exaltation,

Contemplates…

Snowdrops soon to raise their elfin spears,

Violets wet and secret within dark green,

Crocus and tulip bulbed in earth,

Honeysuckle buds held tight by leaf to stem,

Blue poppies crowned in tattered leaves,

Rose canes studded with ruby nubbles,

Moss velvet green between reposing stones.

Remember snow,

And hope.

Consider sleet,

Believe.

Return to rest.

Winter Jasmine

Winter Jasmine

Grey is Good

We have had more than a week of grey weather — quiet, cloudy days with a little rain — and I love it. Especially now, at this quiet time of year, and when I’m not in the best of shape (aches and pains). Sunny, bright weather brings on anxiety, makes everything seem more urgent, and if I’m not up to meeting that challenge, it’s a bummer. Much better when the day is grey and undemanding, and I can stay inside and read, or think, or do nothing at all.

I’m reminded of this poem by Robinson Jeffers:

Gray Weather

It is true that, older than man and ages to outlast him, the Pacific surf

Still cheerfully pounds the worn granite drum;

But there’s no storm; and the birds are still, no song; no kind of excess;

Nothing that shines, nothing is dark;

There is neither joy nor grief nor a person, the sun’s tooth sheathed in cloud,

And life has no more desires than a stone.

The stormy conditions of time and change are all abrogated, the essential

Violences of survival, pleasure,

Love, wrath and pain, and the curious desire of knowing, all perfectly suspended.

In the cloudy light, in the timeless quietness,

One explores deeper than the nerves or heart of nature, the womb or soul,

To the bone, the careless white bone, the excellence.